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Buddies in Bad Times theatre, the world’s largest and longest-running queer theatre, announces a season of programming that brings together opportunities for new creation, artistic development, and community conversations, alongside the return of mainstage programming.

The fall months will offer both dedicated development time for artists in various streams and opportunities for audiences to connect with queer and trans artists from home. In the new year, The Rhubarb Festival returns, along with two main stage productions coming out of the Buddies Residency Program. Throughout the season, the theatre’s focus on community connection and exchange continues, and grows to bring that conversation to a national level.

Interim Programming Director Daniel Carter who has programmed the company’s 43rd season remarks, “Our artistic offerings this year reflect the time of change that we find ourselves in as a theatre – grappling with themes of community, sustainability, decolonization, and reckoning with the past to imagine new futures. While we continue to navigate the pandemic, we are taking this opportunity to deepen our commitment to developing new queer performance, explore new ways for our theatre to engage with audiences, artists, and broader queer communities, and build upon a year of reflection and learning to continue our transformational work as a company.”

In the fall, the theatre focuses on artist development, including the introduction of a new short-form incubator program, Seeding Work, an opportunity for artists Michael Caldwell, Kitoko, and Julia Phan to channel their new concepts and explorations into performance prototypes. Returning Residency artists Martin Julien, Heath V. Salazar, Pencil Kit Productions and We Other Sons will also be in the space, moving their projects forward throughout the year. As the needs of artists in the theatre sector evolve, Buddies’ training opportunities for artist development do as well. The season includes a revamped Emerging Creators Unit, led by Tawiah M’Carthy and Philip Geller, as well as the newly founded Emerging Company-in-Residence, working with Deaf queer artists Natasha Courage Bacchus and Gaitrie Persaud-Dhunmoon. Alongside this development work, a number of audience-facing offerings—including radio plays, outdoor performance, and digital concerts—highight queer and trans artists across the country in the Queer, Far, Wherever You Are series.

In the winter, the theatre hosts a national symposium on queer theatre and community, with the second iteration of the Q2Q Conference, first hosted in Vancouver in 2016. Presented in association with Vancouver’s the frank theatre company, this year’s theme, Refusing the Queer Monolith explores the diversity of queer theatre creation and creators across Turtle Island. Following an award-winning festival publication last season under the direction of Clayton Lee, The Rhubarb Festival will be back in the space in February, with a new format that sees Festival artists responding to a large-scale installation by architect and artist Andrea Shin Ling.

Two projects emerging from the Buddies Residency Program make their mainstage debut in the spring. Indigenous performance group manidoons collective mounts White Girls in Moccasins, a fever-dream journey following a girl trying to find her way, and herself, in a colonial world. The play is written by Yolanda Bonnell (bug, The Election) and co-directed by Cole Alvis (Lilies; Or, The Revival of a Romantic Drama) and Soulpepper Academy member Samantha Brown. Later, Justin Miller’s Pearle Harbour (Chautauqua, AgitPop) takes on a post-apocalyptic lens with Distant Early Warning, a climate-fiction musical spectacle directed by Lauren Gillis (Mr. Truth), with musical direction by long-time Pearle collaborator Steven Conway.

The season also sees the return of the 2-Spirit Cabaret, in partnership with Native Earth Performing Arts; QueerCab; as well as the popular intergenerational exchange series, In Conversation, hosted by leZlie lee kam and Ty Sloane. The monthly series will continue to be offered digitally, expanding the program’s geographic reach, even as much of the theatre’s programming—including dance parties, community events, and workshops in Tallulah’s Cabaret—returns cautiously to the space.

With attention to ongoing COVID restrictions, dates and ticketing information will be announced later this fall/winter.

Learn more here.

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