“Who is man that is not angry?”
Shakespeare invites us into the deepest, darkest depths of the human spirit. Enter the sickly-sweet world of wealth, politeness and privilege as it gives way to reveal the violence and misanthropy beneath the surface. When the well-being of an entire city rests upon the self-esteem of one “charitable” man, a brief shift in fortune turns Timon of Athens from a Man Of The People into a monster whose hatred will destroy them all.
Self tape instructions:
Please record a SHAKESPEAREAN MONOLOGUE of no more than 3 minutes in length. You may upload your tape as an UNLISTED YOUTUBE LINK in the form below.
Audition dates: Aug 1 & 2
Callback date: Aug 3
Rehearsal period: Sept 1 – Nov 10
Tech: Nov 11
Show week: Nov 12 – 17
This production will operate under an ACP agreement and will be paid through profit share. CAEA and ACTRA members are welcome to submit. For any questions or accessibility needs please contact dandeliontheatreto@gmail.com and we’ll be happy to assist you.
Please note:
This production contains adult themes including violence, physical performances of an implied sexual nature, and partial nudity. An intimacy director will be present throughout all rehearsals. Please don’t hesitate to reach out to hello@paigefoskett.com with any questions or concerns, or for any further information.
CHARACTER BREAKDOWNS:
FLAVIUS (any gender, any age): Timon’s long-suffering steward and enabler, Flavius is helpless to stop his employer’s constant overspending and remains loyal to Timon even after his transformation into a misanthrope. Sensitive and idealistic, Flavius is the only person unable or unwilling to see Timon as he is.
ALCIBIADES (male, 20-45): A proud and bloodthirsty traitor against Athens, Alcibiades is a controversial figure at court and one of Timon’s flatterers. When he is banished for his crimes he seeks out Timon in his cave seeking funds to pay his army of mercenaries to destroy Athens.
THE FOUR HUMOURS – The Poet, The Painter, The Merchant, The Jeweller (any gender, any age):
Parts for four actors – strong dance/movement skills are an asset. These roles will need to be comfortable with implied sexuality through physicality and choreography.
The population of Athens is represented by four figures with painted faces who represent how Timon sees the people around him. They take on various roles as sycophants, flatterers, senators, thieves, and sex-workers. These are substantial comedic roles that transform and guide the audience throughout the play.