Toronto-based sound designer Deanna H. Choi is the recipient of the 2020 Pauline McGibbon Award. The announcement was made this morning during the news conference revealing the nominations for the Dora Mavor Moore Awards, which was held online through the Dora Awards YouTube channel.
The jury was unanimous in selecting Deanna for this award. As they noted, “Deanna’s work is uniquely informed by her combined background in the arts (as a classical musician and composer) and academics (in behavioral neuroscience) – and we love the articulation of humanity in her artistic practice. She is also an excellent collaborator, bringing passion and skill to every production team, while also working to strengthen the theatre community.”
About Deanna H. Choi
- Deanna H. Choi creates original music, sonic environments and sound reinforcement systems for stage, screen and interactive media.
- Stemming from her post-secondary studies in behavioural neuroscience, she is inspired by human psychology and how evolution, memory and social dynamics influence an audience’s perception of music and sound.
- Deanna graduated from The Royal Conservatory of Music with a National Gold Medal for Violin Performance. She also completed artist residencies at the Banff Centre, Stanford University, fu-GEN Theatre, the National Arts Centre, and the National Youth Orchestra of Canada.
- Deanna’s designs for plays and musicals have taken her across Canada:
- Her Toronto credits include Soulpepper Theatre, Tarragon Theatre, Coal Mine Theatre, Necessary Angel Theatre Company, Crow’s Theatre, Factory Theatre, Theatre Passe Muraille and Nightwood Theatre.
- Her work has been heard across Ontario at the Shaw Festival, the Stratford Festival, the Grand Theatre (London), the Thousand Islands Playhouse and the Blyth Festival.
- Nationwide, her work has been featured at Neptune Theatre (Halifax, N.S.), Theatre New Brunswick (Fredericton, N.B.), Prairie Theatre Exchange (Winnipeg, Man.) and Theatre Calgary.
- She still gets goosebumps from the tingling anticipation at the top of cue-to-cue, when the stage manager calls, “LX one, sound one – GO.”